|
Fragment 3: Effective Love |
|
Eurydice: Is love mortal?
Orpheus: I do not know …
There are trains that would stop
Neither at a halt nor at a main railway station …
This is, however, a rough comparison …
Do not believe it!
He: They say, “What is aimless is immoral.” So what is the aim? There is a difference between hidden aims and decided aims. Interpretation lives in our decisions, a mask we use to shape things as ourselves, and a monologue. Is it possible to imagine a world without human decision? Yes, just break the watches: The conceptualized simulations of heart beating. What is the hidden aim of writing?
She: The hidden aim of writing it has always been for me the same J.E.Cirlot said: "substitutions of what the world is not and doesn’t give to me.”
|
|
Read more...
|
|
|
Narration of the history within the calendar of betrayal |
|
To her: Neda Agha-Soltan (death: 2009 in Tehran)- Hide quoted text -
In the labyrinth of your body,
I was protesting in silence
on your bruised streets
on the footprints of the garbage-men that every morning
washed away the wounds and kisses
so that I would always see myself alone.
my nightmares expire on your body
but in poetry nothing has expiration date
it stands face to face to the word
with a handkerchief wrapped on its face
neither teargas
nor the new Chinese armors
could block the stones from landing in Tienanmen Square
It stands face to face to the word
to touch your body
as much as the guards’ gear suits you.
You can send hundred word-garrisons out to the street
that the poem lives in between the silence of words
in turmoil between the distance of “smile” and “you”
in the tremble of your body before the touch of my hands
that don’t conquer you
they bare you
from camera, speaker and the news
from courier, crier and the news
from word and the news
|
|
Read more...
|
|
|
|
|
<< Start < Prev 1 2 3 4 5 6 Next > End >>
|
|
Page 1 of 6 |